Before you know it, the ship begins to sink and we realise one of the film’s major faults. We are suddenly shoved into a small set full of people we don’t know, including our hero. With A Game of Death, it feels like the film is in a terrible rush to get to the island as soon as humanly possible. The first thirty minutes of the film are practically identical to the original, but delivered in a shoddier package. And in regards to Robert Wise and the rest of the film, I was surprised to find it rather lazy and frankly redundant.
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I thought this could add some exciting new flavours to the story, which while impressive, has room for an extra dash of salt here and there. Firstly, the film was directed by Robert Wise, the Oscar-winning director of West Side Story, The Sound of Music, The Haunting, The Day The Earth Stood Still and much much more. There were two aspects to the remake, which was retitled during production to A Game of Death, that sparked my anticipation. So then, how would a remake fare 13 years later in 1945?
RKO’s two adaptations of The Most Dangerous Game (1932 and
- The man has all the charisma of a slop bucket, and he is even denied that one line of character evolution that the original gave him, so he stays a one-note bore throughout.
- So then, how would a remake fare 13 years later in 1945?
- He is given the most barebones of a character arc, but it’s better than nothing.
One quick line buried in the middle of an action scene and on they go. Now in a more modern picture, these would be a long quiet scene where the characters and audience catch their breath, perhaps hiding in some cave, where Rainsford can waffle on about his changed character. He is given the most barebones of a character arc, but it’s better than nothing. A chat between the hero and villain also seems to imply poor Zaroff has trouble maintaining his own Hard Target unless he has returned from a satisfying hunt. It is her intuition and investigations that warn Rainsford about Zaroff’s darker side, giving our hero the neccessary kick up the backside into action. In fact, Miss Wray’s character Eve was unexpectedly one of the film’s highlights for me.
He’s as straight-laced a hero as they come and the script doesn’t give the actor any difficult beats at all, but he is a likeable charismatic guy. It’s impossible not to compare the Russian villain’s long confessional monologues whilst acting as a very shady host. Speaking of Bond, and as a big fan of that series, I got a lot of familiar joy from the scenes in Zaroff’s fortress.
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No video player at all. This page may contain sensitive or adult content that’s not for everyone. What other adaptations of the short story do you hold in high regard, if any? The remake’s version is embarrassingly weak in comparison; the initial wound occurs offscreen and his final fall is too quick and clumsy. It’s a well-crafted shot and the perfect stab of irony to conclude the film. But like all good villains, he’s not dispatched so easily.
On the whole, this problem is emblematic of the entire remake, at least when it acts as a carbon copy. Erich Kreiger also suddenly grows a beard like Zaroff just for that one scene as well, how thoughtful of him. The scene in which the hounds are released for a chase through the swamp does suffer though. That might not be a huge problem if watching this movie independently, but viewing it so shortly after the original makes for a tedious experience.
The chase through the swamp is snappily edited and the shots where the camera itself chases our heroes puts the audience into the moment in a way I wasn’t expecting. The jungle drama is well directed on both the action and suspense fronts. Deep into the cat and mouse game, Bob admits to Eve that he now knows what the animals felt like. As I mentioned before, a passenger on the boat goads Rainsford and tries to shame him for his hunting, trying to put him in the furry shoes of his animal prey.
There aren’t many kills across either film to choose from, but it obviously has to go to Zaroff’s demise in The Most Dangerous Game. While Pleshke is a stronger character than Ivan, and Audrey Long is pretty decent as the new lady, I much prefer the original threeway combo portraying Rainsford, Eve and Zaroff. However, the plot inevitably journeys to the same destination, with Rainsford and Ellen running for their lives against Kreiger in the jungle.
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It transports a variety of luxury guests including our hero Bob Rainsford, a celebrity hunter and author. Anyone can view, post, and comment to this community Create your account and connect with a world of communities. You can use this widget-maker to generate a bit of HTML that can be embedded in your website to easily allow customers to purchase this game on Steam. In-game purchases, Online interactivity, In-game chat
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Certainly it makes Rainsford more of a proactive figure, and adds an element of a mental cat and mouse game on top of the physical one. Really though, there is one important change the remake made that must be addressed, and may well be the reason why some would prefer this adaptation. This is a definite improvement over the original, where the celebrity revelation is withheld until they join with Eve and feels a bit off. Lines of dialogue are borrowed from the first film but are given extra additions that ultimately chip away at the tension. It’s a minute detail I know, but it goes a long way in making the scene visually interesting whilst increasing production value.
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Ivan is not in the remake per say, but he suddenly is in that one scene, thanks to the reused footage. The first film’s boat scenes may have been over in less than ten minutes but there it all played out very naturally. The other was a mid-40s remake of this interpretation produced by the very same studio, which mixed up the second act drama and updated the story as a reaction to the Second World War. On another note, the distraction games do give Eve a little more to play with, but the assuredness of both Rainsford and her brother as well, unfortunately detract some of her original significance.
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Some new footage was filmed for the scene, but it either is a direct replication of the work that came before, or clunky shit, like this pirate going down like he’s in a glitching video game. Not only does that strip away that side of the character, but it ruins the sudden shock escalation of events when daman game the villain unleashes the hounds on the heroes. The remake’s boat scenes are dead stiff and just a feel like any other studio set. The boat scenes in the original featured a gentle sway to the footage.
- And in regards to Robert Wise and the rest of the film, I was surprised to find it rather lazy and frankly redundant.
- The chase through the swamp is snappily edited and the shots where the camera itself chases our heroes puts the audience into the moment in a way I wasn’t expecting.
- But like all good villains, he’s not dispatched so easily.
- It’s a well-crafted shot and the perfect stab of irony to conclude the film.
- Now in a more modern picture, these would be a long quiet scene where the characters and audience catch their breath, perhaps hiding in some cave, where Rainsford can waffle on about his changed character.
The excitement of the opening boat scenes grabs your attention instantly, and the dramatic build-up in Zaroff’s house and the lengthy chase sequences that follow are equally balanced. For the sake of my sanity and your patience, I diluted this battle to the two adaptations by RKO in 1932 and 1945, which retain the original story’s characters, locations and tone. The short story from which these films are based has benefitted from a plethora of adaptations over the years across all mediums. One of these films was the first adaptation of Richard Connell’s incredibly famous short story from 1924, The Most Dangerous Game, a tale of the hunter and the hunted. These communities can provide additional support and advice as you navigate the world of adult video creation. I even tried muting the adblockers and it didn’t work.
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The Most Dangerous Game was filmed on the very same sets as Kong, shot during the night whilst the other crew had wrapped. Martin is disposed of, and Bob and Eve are launched into a tense game of cat and mouse in the jungle. After a good twenty minutes of ratcheting tension via careful conversation and sneaking suspicions, we get right to the action. Less than ten minutes in and we’re already off the boat and onto the island. Rightly so, as the misplaced buoys lead the yacht into shallow waters and ultimately the total destruction of a poor model boat. On the other side of the boat, the captain has a bad feeling about this.
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